Caviar

Anaïs-Tohé Commaret is a French-Chilean filmmaker born in Vitry-sur-Seine. Trained at the Beaux-Arts de Paris in Clément Cogitore’s studio and later at Le Fresnoy, she has developed a Lynchian, dreamlike, and hybrid universe at the crossroads of fiction, documentary, and experimental cinema.

Her work explores the sensory potential of the cinematic medium, oscillating between the familiar and the hallucinatory. Moving from mobile phone footage to film, and from natural settings to artificial scenographies, she creates mosaics of images in which everyday life transforms into a mental landscape.

Her work has been presented at the Berlinale, Locarno, and Cannes (Talents of Tomorrow), as well as at the Palais de Tokyo and the Centre Pompidou. In 2020, her images, created in collaboration with cinematographer Nicolas Jardin, won the Grand Prize for Video Art at the Côté Court Festival. In 2022, she received the Jury’s Special Mention at the Salon de Montrouge, awarded by MAC VAL, the Palais de Tokyo, and Lafayette Anticipations.

In 2025, Tohé directed a film for Rimowa and for Meta.